Triple bill of zombie films. 'Zombie Apocalypse' (2011) is a made-for-TV horror starring Ving Rhames in which a group of human survivors of a zombie outbreak set out to make it to an uninfected island. Ramona (Taryn Manning), Billy (Eddie Steeples) and Kevin (Gerald Webb) are almost killed when they head out to search for food. Fortunately for them, they meet a tough group that includes Henry (Rhames) and Cassie (Lesley-Ann Brandt), who take on the zombies with weapons as diverse as a sledgehammer and a samurai sword. 'Abraham Lincoln Vs Zombies' (2012) is a tongue-in-cheek zombie horror in which Abraham Lincoln is distracted from his composition of the Gettysburg Address by a more pressing concern - an outbreak of the undead. Lincoln (Bill Oberst Jr.) leads a team of Secret Service agents to the area to try and contain the disaster. There is a suggestion that Lincoln may have some experience of dealing with zombies from his past and he takes under his wing a youngster by the name of Teddy Roosevelt (Canon Kuipers), who may have a role of his own to play in the American story. 'The Dead' (2010) is a zombie horror set in West Africa. Robert Freeman stars as Lieutenant Brian Murphy, a military engineer who finds himself stranded in the wilderness of Burkina Faso after a zombie outbreak lays waste to civilisation. Eventually he teams up with Sergeant Daniel Dembele (Prince David Oseia), a local soldier who has gone AWOL from the army to search for his missing son.

People from different cultural backgrounds prefer adhering to their own religious beliefs which could restrict treatment options leading to the detriment of health especially if it involves the health of a disabled child. This comprehensive but concise work highlights the problems faced in managing the care of disabled children from different cultural backgrounds. It examines the problems inherent in the medical social and educational management of children with developmental disability in populations whose value systems differ from other cultures. In particular it considers how care may be varied according to cultural background without compromising its quality. The book is of immense value for all healthcare and social care professionals policy makers and shapers patient organisations and those with an interest in medical ethics.

Fans today may be surprised to learn Scott Russell Sanders was previously one of the brightest science-fiction newcomers of the 1980s. In Dancing in Dreamtime, he returns to his roots, exploring both inner and outer space in a speculative collection of short stories. At a time when humankind faces unprecedented, global-scale challenges from climate change, loss of biodiversity, dwindling vital resources, and widespread wars, this collection of planetary tales will strike a poignant chord with the reader. Sanders has created worlds where death tolls rise due to dream deprivation, where animals only exist in mechanical form, and where poisoned air forces people to live in biodomes. Never before has Sanders's writing been so relevant and never before have the lessons in these stories been so important.

In Limestone, Indiana, a city tucked away among forested hills, peculiar things happen, often in the vicinity of a jack-of-all-trades named Gordon Mills. Centaurs and nymphs shelter in a local cave, alligators lurk in the sewers, warm snow falls on the Fourth of July, cornstalks rise higher than chimneys, and the northern lights shine down on the municipal dump. Gordon takes such events in stride and deals with them as part of his work on the city maintenance crew. He earns just enough to support a boisterous family, which includes his formidable wife Mabel, their four children, Mabel's parents, and his widowed mother-nine souls packed into an old house that falls apart as fast as Gordon can fix it. Part folktale, part tall tale, part comic romance, Small Marvels revels in the wonders of everyday life. So, welcome to Limestone, Indiana. You won't find it on a map, but you may remember visiting the place in dreams, the rare, blissful ones in which puzzles are solved, kids flourish, hard work pays off, and love endures.

As an antidote to the destructive culture of consumption dominating American life today, Scott Russell Sanders calls for a culture of conservation that allows us to savor and preserve the world, instead of devouring it. How might we shift to a more durable and responsible way of life? What changes in values and behavior will be required? Ranging geographically from southern Indiana to the Boundary Waters Wilderness and culturally from the Bible to billboards, Sanders extends the visions of Henry David Thoreau, John Muir, and Rachel Carson to our own day. A Conservationist Manifesto shows the crucial relevance of a conservation ethic at a time of mounting concern about global climate change, depletion of natural resources, extinction of species, and the economic inequities between rich and poor nations. The important message of this powerful book is that conservation is not simply a personal virtue but a public one.

After decades of abuse transforms the world into a toxic wasteland, people flee into the safety of a global network of domed cities. Within these safe, orderly spaces, the only animals allowed are machines in the new world's mechanized zoos, called disneys. Orlando Spinks prides himself on keeping his father's disney spotless and orderly, until 13-year-old Mooch explodes into his life and down the throat of a mechanized lion. Mooch quickly wriggles her way into Orlando's heart with her creative mechanical genius, fiery spirit, and passion for real animals. As her rebellious spark spreads to Orlando, they restore the wild spirit to the mechanical beasts, but catch the eye and ire of the Overseers. Beautifully written, The Engineer of Beasts brings together the best of Scott Russell Sanders's environmental wisdom with skilled world-building and beloved characters.

There's always something happening at Crawdad Creek. That's what Lizzie and Michael call the stream that runs behind their house. Come pan for gold, hunt for fossils, find an arrowhead in the mud or a crayfish under a stone. Watch whirligig beetles and water striders skate across the water, teasing the fish below, and count the turtles sunning themselves on moss-covered logs. Follow tracks along the bank, then sit in quiet amazement as deer, raccoons, and other animals visit the creek. There's a wild and beautiful world here waiting to be discovered. Take the time to look!

In Limestone, Indiana, a city tucked away among forested hills, peculiar things happen, often in the vicinity of a jack-of-all-trades named Gordon Mills. Centaurs and nymphs shelter in a local cave, alligators lurk in the sewers, warm snow falls on the Fourth of July, cornstalks rise higher than chimneys, and the northern lights shine down on the municipal dump. Gordon takes such events in stride and deals with them as part of his work on the city maintenance crew. He earns just enough to support a boisterous family, which includes his formidable wife Mabel, their four children, Mabel's parents, and his widowed mother—nine souls packed into an old house that falls apart as fast as Gordon can fix it. Part folktale, part tall tale, part comic romance, Small Marvels revels in the wonders of everyday life. So, welcome to Limestone, Indiana. You won't find it on a map, but you may remember visiting the place in dreams, the rare, blissful ones in which puzzles are solved, kids flourish, hard work pays off, and love endures.

Quarrying, cutting, and carving limestone has provided work for thousands of people in Indiana for nearly two centuries. Along highways and backroads, the brawny machinery these workers use to finesse the stone, the humpbacked mills where they shape it, and the rails and roads where they ship it dot the landscape. In this new edition of Stone Country, Scott Russell Sanders and Jeffrey A. Wolin talk with the stone workers, explore the quarries and mills, and trample along creeks and railroad spurs uncovering the history of the industry and the people who built it. These new stories and photographs are a biography, not of a person-although it is filled with many portraits of individuals-but of a place. It is an up-close look at a singular point on the planet where the miracles of geology have yielded a special kind of stone, and where landscape, towns, and the people themselves bear its mark.